The Bastard Twins

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Duluoz

Skeleton
Jul 31, 2013
52
Manchester UK
Zombies
70
So, here is my first draft of my background for my soon-to-be-designed Vampire Counts. The main characters are Louis and Gabriel Duluoz, twin bastard brothers who are turned and well, do Vampirey things.

This is the first draft of the first chapter, and by no means is it finished, but this provides a nice bit of 'fun' writing compared to my usual work. I've never published anything first draft before, so any ideas, criticisms or comments are very much welcomed - after all I'm writing this for fun and I enjoy it, and I hope you guys do to!




THE BASTARD TWINS:
A BALLAD OF THE MOON AND SUN​

Prelude

How does one describe Mannslieb and Morrslieb? Those pale omens of the night sky whose presence by day is not seen but felt, and are felt in all things. Their great sight is naught but memory by day but by night they rise, undisputed, as rulers of the sky realm, stolen back from their enemy the sun. Their reign is eternal and as generations of men live and die beneath their gaze, as wars are fought and won or lost, still they ever remain, timeless, ancient, far removed from the troubles of this world but ever a part of it. How does one describe the moons? How does one describe Louis and Gabriel Duluoz?

The Bastard Twins, as they are more commonly known, are the rulers of the Jotunheim Steppe and the lands north-east of Kislev. They are the very Moon and Sun of their dark court, of the aristocracy of their lands, and that small corner of the ancient world revolves and turns around with them at the epicentre. As the Sun is the centre of our existence, whilst by night it is Mannslieb and Morrslieb, for Jotunheim it is The Twins Duluoz whom exist as the Moon and Sun. They are the wolves of the north, the rulers of the living and the commanders of the dead, the undying lords.

By mutual agreement, it is Louis who is the elder, by a total of four minutes and forty-two seconds so they tell, but it is Gabriel who rules. Their court is both a perverse mockery to the natural order of things yet to the less religiously dogmatic it can be seen as a step of evolution toward a higher state of being: for the uninitiated of history the twins Duluoz fought – and won – a war of succession against Kislev and the Empire near two hundred years ago, after revealing their true nature of being to the populace. Those Sigmar forsaken souls fought alongside the ranks of the dead for the Bastard Twins for their independence.

Laid in the shadow between the Jotunheim and World’s Edge mountains, beyond the high pass that serves as causeway to the lands of the east, between the lands of the old world and wastes of the north, it is a fitting place for such Lords of the night, caught as they are between the worlds of the living and dead, both in this life and upon the ground which they walk. The Court of the Jotunheim Steppe is one of both the living and unliving, of mortal and immortal, of the alive and the dead. The peasants and the plebs and the aristocracy alike are ruled by vampires whose nature is known to all and accepted.


‘Why are they accepted! How can this be!’ many ignorant of the truth cry, especially the devout of Sigmar. It is not of fear, or if it was once so it is no longer, nor is it out of desire of power. Nay, in truth, there is no other conclusion for a sane man to draw, no matter how insane it may sound, other than that Gabriel and brother Louis rule the lands because they rule so justly. Their popularity among the locals is one of extreme, near fanatical, loyalty: the realm is safe from roving hordes, the taxes are low for it is only the Duluoz and not the Empire who collect. The guilty are punished without mercy and there are none, from the lowly field-hands to the splendorous high-born, who are beyond the reach of the rule of law, for over the centuries those Aristocrats of arrogance who thought themselves above reproach have been publically dealt with to dissuade others from doing so, while their hunger is carefully slated by those noble houses who offer themselves to the Undead of the court in exchange for protection and status.

Moreover, they are great patrons of the arts and endorse and produce many great works; they are scholars of the written and spoken word and their intelligence is far from beastial: it is exceptional. In another life, though such a term is meaningless to them, they would be celebrated as cultural saints of the Empire. Such is certain.



PART ONE
THE CURSE​


One
The Birth of Bastards​

Lord Solomon Duluoz was not a kind man, and so it was without regret that he sent Charlotte – what was her last name? He couldn’t remember her last name, no matter – from his household. So what if she may have been pregnant, and yes, the child may be his, but his bastards were numerous and one more would be of no consequence; and that was even if the child lived, or if the mother survived the birthing, or survived long enough, to tell the child of its birth right. Birth right? Lord Solomon snorted in contempt as he consumed yet another glass of brandy, its subtle textures wasted on his tasteless tongue. Birth blood perhaps, but not birth right. Bastards had no birth rights. Low borns had no rights at all. He was a man of breeding and distinction, one who was born into class and education. His kind was far and few between whilst lowborn were as common as and bred like rats.

She had been his servant, and he was a lord. It was her place to do as told, and now, it was her place to leave. His wife – his burden, he thought and laughed mirthlessly, the sound a sudden break of the silence that prevailed within his study – Lady Lisa Duluoz, may tolerate his whoring and loveless discretions but raising a bastard beneath was a line he would not cross. Some of his fellow Lords and Barons of the noble houses of the Empire may raise their bastards beneath their roof, but to him it was not proper. His wife had wanted the swollen-bellied maid gone, and so it was without a second thought he ordered her to leave.

Lord Solomon considered what her fate might be for a moment as he continued to wash his mouth with brandy that cost more per bottle than he paid any servant within a full cycle of Mannslieb. He was not an attractive man, his fondness for alcohol having fattened him over the years; his skin was red and blotchy as if he was perpetually ill and his hair was long faded. He had been strong once, he mused, swirling the glass within his oversized hand. Strong, tall, and handsome. He had served in the Knights of the Blazing Sun and earned his distinction as man of courage and duty, but in the years since attainting the title of Lord the power had consumed him. Now he was on the wrong side of fifty with a barrel gut and a temper that did not take much to break. That temper he had forged, like a master craftsman would a weapon, in the white-hot fires of battle against Barbarian and Beast and Elf alike. Now it was wasted on serving girls and lost to the forgotten realms of memory.

He reclined with ease, his bulk having carved out a familiar void within his lounging chair of the study, the velvet cushions forever bent double from his weight. The night was rising outside; the light was beginning to diminish within his wooden retreat.

There was a knock upon the door.

‘Enter.’ Lord Solomon’s voice was still powerful, though dehydrated from the alcohol.

The door opened forty-five degrees and in its place stood a young woman who gave a nod for her arms was full of firewood. She was straining with the weight. Lord Solomon observed her, before returning the nod.

‘Close the door.’

The poor creature did so, though she struggled, before going about her duties with the experienced hand of regular repetition. She knelt in front of him to light the fire.

He did not recognise her, and he would have, for her figure was shapely and certainly fine, despite the black gown she wore. She must be that pregnant one’s replacement. She was certainly dutiful; she had already lit in much less time than he expected. He wondered from which household his wife had poached her from

Yes, she was attractive he decided, as he finished his current glass. He set it down upon the carved oak table beside his chair, and with great effort, sat upwards. The maiden was preparing to stand, as the fire began to take upon life of its own.

‘Are you new here, my girl?’ Lord Solomon inquired.

‘Yes, my Lord.’ Her voice was quiet but betrayed no weakness.

‘I thought as much. Stay a while, won’t you?’

‘My Lord?’

Lord Solomon reached out to the girl and pulled her into his great lap.

‘Stay and get to know your new master my girl.’


Darkness had fallen, and outside, many weary miles away from the life she had known since a girl, a young woman, her figure swollen with pregnancy but hidden beneath the excessive folds of her garment and cloak, trudged down the pathway that lead north, out of the lands that belonged to the House Duluoz. She could have been no more than twenty-one, and to see her beneath sunlight, one would have marvelled at her beauty: her features were defined but soft, her high cheekbones telling of ancestry of Kislev, whilst her almond eyes and alabaster skin further confirmed her heritage. Hair, braided tight, was dark oaken brown, near black. The girl’s feet ached and stung as they blistered, the callouses a testament of the many miles travelled while her sorrowful eyes told of yet many more ahead.


Weeks of walking had led nowhere, and daily Charlotte grew in size. Soon she would give birth, she knew, and was desperate to find work and prove her worth before she did so. She had to have a place, a job, a way to earn keep, if not for herself then for the child she carried. In the many villages, towns and lands of lords that she had passed through none had wanted to hire a lonely pregnant girl, one who would soon be unable to work. But still, she hoped, without reason, she would find work. She just needed a chance, an opportunity to prove herself to someone, and show them why they should keep her in their household.

All she had heard was the same story, each time: try father north. The further north, the easier work may be to find. The lands along Kislev and the surrounding areas were tough and hard, prone to attacks from the Norsemen of Chaos and the Beasts that stalked the dark hearts of the woods. Perhaps there, in the outlying lands, you will find work. So far, she had found none.

In the weeks that had passed since leaving she had done and seen many things to prevail thus far. She had slept in places that animals refused, given herself to passing men for coin, and scrubbed and washed for nothing more than pittance to eat a place to sleep. But still she lived, and so did her child, for she could feel him or her kick daily. Placing a hand upon her stomach, she smiled. It was a rare moment of joy she found in his world, but still, there it was, very much a part of her. And she would do anything, anything, to protect that yet-unborn child.

Charlotte looked ahead a moment; she had reached the end of whatever that last wood was. Before her lay rolling hills, endless plains of sun-bleached grass, and beyond them, mountains cracked the sky, a stone horizon the likes of which she has never seen before. She struggled in take in the sight. She did not know where she was, her geography was poor, but here, now, in this moment, she did not car. The world was so very… large. She had never imagined that such a place could exist, outside of towns and forest and cold stone walls. She had never thought that she would see land stretch as far as the eye could see.

She began to walk again, her feet uncertain still the sight astounded her. There – there in front, at the bottom of the mound upon which she stood. She could see a large house, a manor perhaps, surrounded by houses and buildings of sorts. As her eyes adjusted to the vista presented to her she began to notice that many of the fields were organised – farmers lived here – and she saw what could only be a great river surging downward between the far hills, near the mountains. This was a settlement. Perhaps, just perhaps, here she could find work.
 
Hi Duluoz!

Duluoz said:
[align=justify]
THE BASTARD TWINS:
A BALLAD OF THE MOON AND SUN​

Prelude
How does one describe Mannslieb and Morrslieb? Those pale omens of the night sky whose presence by day is not seen but felt, and are felt in all things. Their great sight is naught but memory by day but by night they rise, undisputed, as rulers of the sky realm, stolen back from their enemy, the sun. Their reign is eternal and as generations of men live and die beneath their gaze, as wars are fought and won or lost, still they ever remain, timeless, ancient, far removed from the troubles of this world but ever a part of it. How does one describe the moons? How does one describe Louis and Gabriel Duluoz?

Good start. Small point: when you describe both moons as rival/enemy to the sun, you follow up with 'their eternal reign'... as there is a night and day cycle, this feels not completely true, even though the moons are 'physically' always around. Get my point?

The Bastard Twins, as they are more commonly known, are the rulers of the Jotunheim Steppe and the lands north-east of Kislev. They are the very Moon and Sun of their dark court, of the aristocracy of their lands, and that small corner of the ancient world revolves and turns around with them at the epicentre. As the Sun is the centre of our existence, whilst by night it is Mannslieb and Morrslieb, for Jotunheim it is The Twins Duluoz whom exist as the Moon and Sun. They are the wolves of the north, the rulers of the living and the commanders of the dead, the undying lords.

Cool!

By mutual agreement, it is Louis who is the elder, by a total of four minutes and forty-two seconds so they tell, but it is Gabriel who rules. Their court is both a perverse mockery to the natural order of things yet to the less religiously dogmatic it can be seen as a step of evolution toward a higher state of being: for the uninitiated of history the twins Duluoz fought – and won – a war of succession against Kislev and the Empire near two hundred years ago, after revealing their true nature of being to the populace. Those Sigmar forsaken souls fought alongside the ranks of the dead for the Bastard Twins for their independence.

You mention the court setting but immediately delve into the succession war. My suggestion is to split it, as they seem to be different topics and don't relate much to each other... Also, to me the last sentence is a bit unclear: where do the Sigmar forsaken souls come from? Whom fought whom?

Maybe a bit nitpicking from my side, but minutes and seconds feels a bit off from the Medieval setting Warhammer is situated (especially since actual accurate clocks were developed in the Enlightenment era...). Maybe change it to 'two hundred counts' or something?


Laid in the shadow between the Jotunheim and World’s Edge mountains, beyond the high pass that serves as causeway to the lands of the east, between the lands of the old world and wastes of the north, it is a fitting place for such Lords of the night, caught as they are between the worlds of the living and dead, both in this life and upon the ground which they walk. The Court of the Jotunheim Steppe is one of both the living and unliving, of mortal and immortal, of the alive and the dead. The peasants and the plebs and the aristocracy alike are ruled by vampires whose nature is known to all and accepted.

I'm not exactly sure why these words have capital letters?

‘Why are they accepted! How can this be!’ many ignorant of the truth cry, especially the devout of Sigmar. It is not of fear, or if it was once so it is no longer, nor is it out of desire of power. Nay, in truth, there is no other conclusion for a sane man to draw, no matter how insane it may sound, other than that Gabriel and brother Louis rule the lands because they rule so justly. Their popularity among the locals is one of extreme, near fanatical, loyalty: the realm is safe from roving hordes, the taxes are low for it is only the Duluoz and not the Empire who collect. The guilty are punished without mercy and there are none, from the lowly field-hands to the splendorous high-born, who are beyond the reach of the rule of law, for over the centuries those Aristocrats of arrogance who thought themselves above reproach have been publically dealt with to dissuade others from doing so, while their hunger is carefully slated by those noble houses who offer themselves to the Undead of the court in exchange for protection and status.

This is a really good part. I like the descriptions made and thoughts to detail the story.
I marked a sentence red in this piece, because I feel you meant to say two things, that are related but still slightly different, and seem to mix: 1) lowly field-hands and high-born are punished without mercy and 2) the high-born ones that felt above the law are dealt with. Also, the word Aristocrats is in capitals... why?

Moreover, they are great patrons of the arts and endorse and produce many great works; they are scholars of the written and spoken word and their intelligence is far from beastial: it is exceptional. In another life, though such a term is meaningless to them, they would be celebrated as cultural saints of the Empire. Such is certain.

Good part, might want to name the vampire twins instead of 'they', as it can be confusing considering that you just mentioned the mortal beings they are ruling.

Before going on to comment on part one, is there any relation/story about the moons and the twins? Might be fun to link some sort of rumor that the Duluoz twins are the children of the two moons or so.

-------------------------------
Part one is really enjoyable to read. Good descriptions, good story telling. It could feel a bit more thrilling though. A lone pregnant woman alone in the night is too vulnerable to let go, wouldn't you think?

He did not recognise her, and he would have, for her figure was shapely and certainly fine, despite the black gown she wore. She must be that pregnant one’s replacement. She was certainly dutiful; she had already lit in much less time than he expected. He wondered from which household his wife had poached her from.

Just missing a point there ;)

‘Stay and get to know your new master my girl.’

I would advise to remove 'my girl'. It feels more demanding, without her being able to reject because of their interactional setting between them.

Charlotte looked ahead a moment; she had reached the end of whatever that last wood was. Before her lay rolling hills, endless plains of sun-bleached grass, and beyond them, mountains cracked the sky, a stone horizon the likes of which she has never seen before. She struggled in take in the sight. She did not know where she was, her geography was poor, but here, now, in this moment, she did not care. The world was so very… large. She had never imagined that such a place could exist, outside of towns and forest and cold stone walls. She had never thought that she would see land stretch as far as the eye could see.

The sentence is not complete, it seems?
 
Master Vampire said:
Hi Duluoz!

Hey! First off thank you so much for the comments! I truly appreciate them and thankful for taking the time to both read and comment.


Master Vampire said:
Good start. Small point: when you describe both moons as rival/enemy to the sun, you follow up with 'their eternal reign'... as there is a night and day cycle, this feels not completely true, even though the moons are 'physically' always around. Get my point?

I see what you mean, by eternal reign I meant that the day/night cycle is forever ongoing, it continues round and round despite the numerous wars and rebellions and famines and anything else that occurs under their gaze, they are simply removed from such concerns and immortal beacons of the world. My wording is off there, and it's something I'll expand upon on the second draft.

What I really mean is the moons are the enemies of the sun and at night are the center of the world/night sky, as are the Duluoz twins of their court. I originally intended that even in daytime the twins influence was felt (hence the mention of the sun) but I think its better, and darker, that when night falls, everyone knows that its the time of ... the vampires! I think that's much cooler to, as every dawn is a relief in a kind of way, but everyone knows that the night is only ever a few hours away...

Master Vampire said:
You mention the court setting but immediately delve into the succession war. My suggestion is to split it, as they seem to be different topics and don't relate much to each other... Also, to me the last sentence is a bit unclear: where do the Sigmar forsaken souls come from? Whom fought whom?

My intention here, and story intention also, is that the Duluoz twins (as is later told) reveal their nature to the populace after they are accused of being Vampires and the local Elector Count flexes his muscles. Gabriel, the better orator, then slays the Elector Count's messenger in full view and launches into a speech something along the lines of 'What has the Empire ever done for you? Nothing! Here we are, and we have ruled fairly and justly, and punished the wicked and sinful. Judge us not by our natures, by what essence we survive, but by our actions. Fight for us against the Empire, be free forever from their grasp. We are here, they do not understand the north, miles away in their land of hyopcrasy. Our mother came here a beggar and made herself a life, we are as much sons of this land as you' etc - and the people of Jottunheim then fight FOR the Duluoz Twins against the Empire.


Master Vampire said:
Maybe a bit nitpicking from my side, but minutes and seconds feels a bit off from the Medieval setting Warhammer is situated (especially since actual accurate clocks were developed in the Enlightenment era...). Maybe change it to 'two hundred counts' or something?

I'm a perfectionist to a fault so nitpick away ;) - I'll revise that, I certainly agree.


Master Vampire said:
I'm not exactly sure why these words have capital letters?

Mistaken grammar :P


Master Vampire said:
I marked a sentence red in this piece, because I feel you meant to say two things, that are related but still slightly different, and seem to mix: 1) lowly field-hands and high-born are punished without mercy and 2) the high-born ones that felt above the law are dealt with. Also, the word Aristocrats is in capitals... why?

The Twins, being Vampires and born from poverty before being turned, do not differentiate between the low born and high born. They are simply human, and thus, despite wealth or status, equals (though beneath vampires of course) in purpose and power, and thus, importance. Therefore they punish what they deem as wicked and wrong regardless of status. Over 200 years the high-born have learnt not to cross the Vampires, and to basically toe the damn line.


Master Vampire said:
Good part, might want to name the vampire twins instead of 'they', as it can be confusing considering that you just mentioned the mortal beings they are ruling.

Thanks for the spot, again, this is what I need and will clean up on second draft.


Master Vampire said:
Before going on to comment on part one, is there any relation/story about the moons and the twins? Might be fun to link some sort of rumor that the Duluoz twins are the children of the two moons or so.


Ooo I REALLY like that idea! It'd certainly add to their myth like status among the north... You'll see that added ;)


Master Vampire said:
Part one is really enjoyable to read. Good descriptions, good story telling. It could feel a bit more thrilling though. A lone pregnant woman alone in the night is too vulnerable to let go, wouldn't you think?

I agree, but as I intend this to be (roughly, no idea of individual length) about 10 chapters, I really wanted to get to the meat-and-bones (or should that be fangs and blood?) of the story, and that's when the brothers are turned. My plan is thus:

Prelunde - Summary of the Twins
Chapter 1 - Birth and backround
Chpater 2 - Death of mother, meeting Thoreau (Thoreau is the Vampire who sires them)
Chapter 3 - The turning

And so on.

My second draft always adds words, not takes them away. I wanted to bash out the skeleton of the story and see where and what I have in place, and then add my extra ideas and my luxury descriptions/writings where they fit best. Very Anne Rice the first part, as Louis (I did not name Louis after Interview with the Vampire either lol, but actually off a TV show) says 'should I begin with my birth, or my birth to undeath?' or something similar. That's what I'm going for, I feel their human background is secondary to the Vampire lives, though as I'm writing this now, I realise that their human lives are so important to who they become that I can expand it far far more.

This is why the comments are so valued to me, they make me think and discover.

Master Vampire said:
I would advise to remove 'my girl'. It feels more demanding, without her being able to reject because of their interactional setting between them.


Lord Duluoz (the bastards father) is indeed demanding. He intends to have her, regardless of her compliance. I hate writing and reading anything too graphic on such topics, and feel it is best left unsaid but implied. You know what's happening, so why describe it, it's a real sick act, you know?


Master Vampire said:
The sentence is not complete, it seems?

Casualty of first draft!


I've got about 1000 words of chapter two out but I feel it's pretty tame. As said, I want to get to the core of the Vampire story, so I'm trying to rework that. I'm thinking Part One (there's 3 total parts, divided into chapters) will now be their prelude, their background, their human life, and this will allow me to expand in far greater detail about it, as I won't feel constrained by a 'I need to have them turned by chapter 3' sort of mentality, but rather, 'ok so this whole part one is them being human... lets see what they were, and how that affects what they become'

I've got the whole, very basic, story line plotted out, so now I'm getting the skeleton of the tale written, and then I'll add the meat and flesh it out, and then I'll trim the fat and edit, so by the end it will have a minimum of 4 drafts.

I'm pleased and enjoying it so far myself however, and I'm glad you did to. It's so fun to write and discuss it, so again, thank you so much!
 
Duluoz said:
MV said:
Good start. Small point: when you describe both moons as rival/enemy to the sun, you follow up with 'their eternal reign'... as there is a night and day cycle, this feels not completely true, even though the moons are 'physically' always around. Get my point?
What I really mean is the moons are the enemies of the sun and at night are the center of the world/night sky, as are the Duluoz twins of their court. I originally intended that even in daytime the twins influence was felt (hence the mention of the sun) but I think its better, and darker, that when night falls, everyone knows that its the time of ... the vampires! I think that's much cooler to, as every dawn is a relief in a kind of way, but everyone knows that the night is only ever a few hours away...

Except when vampires become so strong they can influence the weather... hehe. This is indeed something I'll delve into in my own story that (hopefully) is upcoming in some time.

You can even go so far to include a 'good' hero character that portrays the sun (which of course is food for the twins).

Anyhow, I got what you meant, but the wording made it a bit confusing, that's all. ;)

Duluoz said:
MV said:
You mention the court setting but immediately delve into the succession war. My suggestion is to split it, as they seem to be different topics and don't relate much to each other... Also, to me the last sentence is a bit unclear: where do the Sigmar forsaken souls come from? Whom fought whom?


My intention here, and story intention also, is that the Duluoz twins (as is later told) reveal their nature to the populace after they are accused of being Vampires and the local Elector Count flexes his muscles. Gabriel, the better orator, then slays the Elector Count's messenger in full view and launches into a speech something along the lines of 'What has the Empire ever done for you? Nothing! Here we are, and we have ruled fairly and justly, and punished the wicked and sinful. Judge us not by our natures, by what essence we survive, but by our actions. Fight for us against the Empire, be free forever from their grasp. We are here, they do not understand the north, miles away in their land of hyopcrasy. Our mother came here a beggar and made herself a life, we are as much sons of this land as you' etc - and the people of Jottunheim then fight FOR the Duluoz Twins against the Empire.

Ah, that makes sense then. It might be useful to refer to Sigmar forsaken souls as the Jottunheim populace somewhere, because it kind of drops into the narrative and you can't help but wonder who they are, even though you mention them in the preceding and succeeding paragraphs.

Duluoz said:
My second draft always adds words, not takes them away. I wanted to bash out the skeleton of the story and see where and what I have in place, and then add my extra ideas and my luxury descriptions/writings where they fit best. Very Anne Rice the first part, as Louis (I did not name Louis after Interview with the Vampire either lol, but actually off a TV show) says 'should I begin with my birth, or my birth to undeath?' or something similar. That's what I'm going for, I feel their human background is secondary to the Vampire lives, though as I'm writing this now, I realise that their human lives are so important to who they become that I can expand it far far more.

Well are you of the opinion that when someone gets turned, their character stays the same as before the turning? For my own story, I had planned a vampire character, but I'm not sure if I let the reader glimpse to his past (before turning). I do know that I would make him less arrogant and more approachable, though. As a vamp, I make him more risk-taking, megalomaniac and somewhat lunatic as well.

Duluoz said:
I've got about 1000 words of chapter two out but I feel it's pretty tame. As said, I want to get to the core of the Vampire story, so I'm trying to rework that. I'm thinking Part One (there's 3 total parts, divided into chapters) will now be their prelude, their background, their human life, and this will allow me to expand in far greater detail about it, as I won't feel constrained by a 'I need to have them turned by chapter 3' sort of mentality, but rather, 'ok so this whole part one is them being human... lets see what they were, and how that affects what they become'

There are many ways, though, to portray such events. However, it ultimately depends on what type of writing you want. If you want it to be entirely factual and historic, then the whole story could be told like this. But for a reader's perspective, it makes it a whole lot more interesting to keep certain things a mystery and reveal it through important events, either through dialogue or action. That's something I really like about Martin's fantasy books A Song of Ice and Fire, in which he plays with the reader so much through dialogue, different character perspectives and backward story telling of what actually happened.

For example, the brothers could easily have an intimate conversation about things that happened in the past.

This is advice, though. Keep up the good work and I hope to see Chapter 2 soon!
 

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